6027 Microphone

Recording ambience
But more generally, an omnidirectional mic is the type to use whenever you want to capture ambience, for instance, in a studio when you want to record, say, an acoustic guitar, percussion, and background voices in a session that sounds better with ambience.

Close-proximity recording
As mentioned, an omnidirectional doesn't suffer from the proximity effect that a unidirectional microphone is susceptible to. This is because there's only one side of the capsule open to air as opposed to both sides being open.So, with an omnidirectional you can bring the mic nice and close to a source of sound without worrying about the build-up of "boominess".

All-around recording
Given its ability to record sounds coming from all directions, an 6027 Microphone is useful in situations where you want to record sounds from two or more positions around the microphone at the same time.A single omnidirectional can do the job, provided that you're comfortable with the surrounding sounds it may pick up.

Podcasting with two participants
If you're a podcaster and only have a single microphone, then an omnidirectional mic is a versatile mic to have for interviewing guests.While you could also use a figure-eight mic in this case, with an omnidirectional you have more flexibility in where you and your guest can sit.

Lavalier or lapel microphones
Lavalier or lapel microphones tend to be omnidirectional mics.This allows them to be positioned anywhere on a person and still pick up sounds from all around the mic.

Field recording
An omnidirectional polar pattern is well-suited for situations when you want to capture the full array of sounds in the field, for instance in scientific research applications.Omnidirectional polar patterns are a great choice for these situations as they're equally sensitive to picking up sounds from wherever they're coming.

Prevent frequent falls or dropping at all
Frequently dropping a mic can lead to permanent damage or stopsome of its components from functioning. Dynamic mics, which are even more durable than their Condenser counterparts, it is also very important to prevent them from frequent falls to the floor or other hard surfaces.

Protect them from dust
When a microphone is exposed to dust, it can get into the diaphragm and cause it to lose its sensitivity. One way to keep dust away from your microphone is to ensure that your studio is always kept clean. Wipe surfaces often to prevent dust from settling. Another way of protecting from dust is to cover your microphones in a plastic bag. But this can only work well if your studio is situated in a low humidity region. If your studio's temperature is generally warm, covering your microphones with a plastic bag can turn out to be a disaster.

Always make use of a Pop Filter
A pop filter protects your condenser mic by preventing saliva from settling on your mic. It intercepts saliva that would have found its way to the microphone from a singer's mouth during a recording session. This helps to keep the capsule of your microphone clean and dry.

Don't kiss your microphone
What this means is that you should maintain a little distance between your mouth and the microphone where a pop filter is not available.Plosives from 'P's and 'T's can damage the capsule of your mic. A distance of about 6 inches works fine to prevent plosives from damaging your microphone capsule.

Properly store your mics when not in use
When your mic is not in use (Condensers), you can protect it from dust and particles by keeping it in a plastic bag. This will keep dust away from the microphone capsule, so it can continue to serve you better.You can also make use of a padded storage container or a locker to keep your microphone in.

Avoid contact with water or fluids
Water splashes on a microphone can damage a microphone, and also result in electric shock. It is also important that whatever storage facility you're using for your mics is kept solid dry at all times. Get cases that are waterproof, and avoid exposing your mics to extreme temperatures.

Properly Turn Your Microphone On and Off
Take time to turn on your microphones properly. Cables that supply power to the mic tube should be connected before turning on the power supply.When this isn't done, it can result in electric shock which can damage the microphone.

Polar pattern
After deciding which type of interview microphone is suitable for your personal needs, it is your turn to think about the pickup pattern. Actually, there are two patterns that work best.
The first is directional. It is highly sensitive to sounds coming directly in the front and make rejection of background noises. Therefore, the talents' voices will be recorded clearly. It is a good choice for outdoor interview.

Sensitivity
Because interviewing typically include a lot of movement, a professional interview microphone must feature a good proximity sensitivity effect. Even if you move around, a high-sensitivity microphone will produce the same level of sound. And there is no need to worry about the volume to be reduced when you step back or turn your head.

Frequency response
It stands for the frequency range a microphone detects. To make the right options, you should be aware of your interview audio level and then invest in a mic that performs well in this range of frequency.

Max. SPLa
This is the maximum SPL that a microphone can record without distortion. That is, the higher the Max. SPL is, the louder sounds it can handle. Generally, 120dB SPL can fit your need. For higher sound quality, you can look at the 135dB SPL and 150dB SPL.

Signal-to-noise ratio (SNR)
The ratio compares the output signal level to the level of self noise that is produced by the interview microphone when there is no sound source. It is measured in decibels.

Shenzhen Marquess Electronics Co., Ltd. was founded in July 2004, originating from the Japanese AOI Electric Motor Manufacturing Company as a joint venture specializing in the production of ECM (Electret Condenser Microphones). 

ISO 9001 2015,ISO 14001 2015,ISO 4500 12018,UL E473299,UL E473487